What Visiting The Greek Agora Tells Us About Ancient Athens

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The ancient ruins of the Greek agora, although worn back to ground level, are still an accurate record of ancient Athens. The ancient agora tells us about Athens’ culture, commerce, government and religion.

The word ‘agora’ in Greek means “an assembly” or generally “an open space in a town”. Its usage includes; “a market, place of assembly, a public place or forum, a market place”. Each of these definitions very much describes the activities that occurred within the ancient Greek agora in Athens.

The Greek marketplace, sometimes referred to as the BC agora, is adjacent to the nearby Roman Agora. The map below will help you to ascertain the Greek agora’s expanse. It will also help to identify the location of some of the ancient agora’s major historical monuments .

There are over forty agora ruins to visit. Whereas the majority are only skeletal at best, they still accurately represent the ancient history and achievements of Athenian’ society. We have organised the ruins to visit inside the Ancient Athens agora into arbitrary categories based on the major function of each.

Tap the image if using a mobile or use the mouse to hover above each location

• 
  The Panathenaean Way
  
  The primary thoroughfare used by travellers that diagonally traversed the Agora as they entered from the north through the Dipylon Gate
• 
  The Stoa of Zeus Eleutherios
  
  A convenient central meeting place for the highly oral Agora community
• 
  The Odeon of Agrippa
  
  A concert hall presented as a gift to Athens in 15 BC by Marcus Vispanius Agrippa
• 
  The Library of Pantainos
  
  Dedicated c.100 AD by Titus Flavius and became an archive for scrolls, handwritten on both papyrus and parchment, which were stored in numerous repositories built into the library’s walls
• 
  The Stoa of Attalus
  
  Concentrated the focus on the Greek marketplace as an important business and administrative centre and provided a covered and sheltered place for informal meeting and assembly
• 
  The Tholos
  
  The 5th Century round building that served as the head office of the Athenian government as well as the headquarters for magistrates and the 500 senators of the Bouleuterion
• 
  The Bouleuterion
  
  The Council Chamber of the Five Hundred who undertook the daily preparation and assessment of regulations and legislation
• 
  The Royal Stoa
  
  The Royal Stoa was the premises occupied by one of the principal magistrates of Athens, the Royal Archon
• 
  The Monument of Eponymous Heroes
  
  The names of ten prominent Athenians selected by the Oracle at Delphi by which the Athenian tribes were labelled as Athens progressed towards democracy
• 
  The Altar of the Twelve Gods
  
  Served as the zero distance marker for Athens, defining the city centre
• 
  The Temple of Hephaestus
  
  Athena and Hephaestus , the latter being the god of fire and a blacksmith who forged the thunderbolts for Zeus, were worshipped at the Temple as patron divinities of the arts and crafts
• 
  The Eleusinion
  
  Safeguarded the sacred objects relevant to the ceremonies and sacred annual processions of the Eleusinian mysteries to honour Demeter and Persephone
• 
  The Temple of Apollo Patroos
  
  Greek legend which identified Apollo as the father of Ion and as such Apollo was considered a patron deity of Athens not only as an ancestor, but also a source of nourishment and protection
• 
  The Temple of Ares
  
  A 5th Century Doric Temple installed for the veneration of Ares, the Greek god of War

Menu for the Ancient Agora

• What the Greek Agora Tells Us About Ancient Athenian Culture
• The Panathenaea – The Agora Hosts a Cultural Procession
  • The Panathenaea – The Agora and Ruins of Ancient Athenian Culture
  • The Stoa of Zeus Eleutherios
  • The Odeon of Agrippa
  • The Library of Pantainos
• What the Greek Agora Tells Us About Ancient Athenian Commerce


• What the Greek Agora Tells Us About Ancient Athenian Government
  • The Stoa of Attalus
  • The Agora and Ruins of Ancient Athenian Government
    • The Tholos
    • The Bouleuterion
    • The Royal Stoa
    • The Monument of Eponymous Heroes
    • The Altar of the Twelve Gods


• What the Greek Agora Tells Us About Ancient Athenian Religion
  • The Temple of Hephaestus
  • The Agora and Ruins of Ancient Athenian Religion
    • The Eleusinion
    • The Temple of Apollo Patroos
    • The Altar of Zeus Agoraios
    • The Metroon
    • The Temple of Ares


• Final Thoughts on the Ancient Greek Agora at Athens

What the Greek Agora Tells Us About Ancient Athenian Culture

The culture of the Athens Agora is bound to the history of Athens.

We can go back to 632 BC when Cylon attempted Tyranny. The Athenian response under Draco was to impose a series of severe but protective law codes which operated until Solon, magistrate and lawmaker, gained influence in 594 BC. Solon’s reforms were broad and led to the restructuring of Athenian society and progress towards democracy. It is thought that within the same period Solon nominated the expanse now identified as the ancient Agora of Athens as the public space for Athenians. The Greek agora occupied 25 acres of land northwest of the Acropolis. You can read more about Solon’s influence on Athenian justice on the Areopagus in our post describing the Areopagus.

One of the principal roles of the multi-purpose Agora was to provide a social area where Athenians could engage in both robust recreation as well as cultural pursuits that involved expression and performance. The centre of the ancient Athens agora provided space for Greek athletics, as well as artistic pursuits such as drama and music. The stoas and shaded areas that were distributed throughout the Greek agora served as meeting places for discussions by friends, businessmen and philosophers. Plato portrays the Agora of hosting youthful intellectuals who between episodes of drinking enjoyed both lively conversation and listening to skilled philosophers from all over Greece. The agora produced some of the best ideas that emanated from the ancient world at the time. On the larger scale the Greek agora was also the venue for processions and celebrations. Solon had fostered the cult of Athena and the inception of festivals.

The Panathenaea- The Agora Hosts a Cultural Procession

The Panathenaean Way (1) was the primary thoroughfare that diagonally traversed the agora. Travellers and Athenians entered the agora from the north through the Dipylon Gate

The Panathenaean Way (1) derived its name from its association with the Panathenaea, one of two principal cultural festivals celebrated by the Athenians.  The other was the Dionysia, a cultural festival embedded in the history of the Greek agora being the site where drama was first introduced to Athens. The Dionysia expanded to include the construction of a theatre, the Theatre of Dionysus, on the south-west slopes of the acropolis of Athens. The population became absorbed into feasting, religious experience and theatre. The Great Dionysia was preceded each day by drunken revelry as people feasted on the meat of up to 240 bulls that were ritually slaughtered for the occasion. And yet, important to democracy, it was further evidence that art was being driven by the populace and not the tyrants.

The Panathenaea was a national festival that commemorated by the Athenians to honour Athena and Erechtheus. The Panathenaean Way through the Greek agora was the ideal route by which the spectators could view the procession. Colonnaded buildings with terraced steps that ascended to extended porticos provided seating for a large number of onlookers. Such was the importance of the procession that its details were sculptured onto the eastern frieze of the Parthenon on the Acropolis.

There were two Panathenaeae festivals. The Greater Panathenaea was held every four years and was an extension of the lesser, Annual Panathenaea.

Pausanias wrote;

“On entering the city there is a building for the preparation of the processions, which are held in some cases every year, in others at longer intervals. Hard by is a temple of Demeter, with images of the goddess herself and of her daughter, and of Iacchus holding a torch.”
— Pausanias

The Greater Panathenaea was distinguished from its annual counterpart by the inclusion of equestrian events such as charioteering as well as musicals and gymnastic contests. The most anticipated event common to both commemorations was the bearing of the veil of Athena. The procession led from the Procession House next to the Dipylon Gate at the northern end of the agora. It then passed via the Eleusinion which was situated at the eastern end of the Acropolis, to the Parthenon on the Acropolis. This part of the procession was originally intended to be included only in the Greater Panathenaea, but such was its significance to the Athenians that it was incorporated as an annual event.

Pausanias reported it as;

“The procession was most splendid. The peplus was suspended like a sail from the yards on the mast of the Panathenaic Ship), which was an actual ship, very large and beautiful … The Athenians had become a seafaring people, and they wished to signify it; the time of the agrarian Athena was passed. It was considered a great sight for the populace.”
— Pausanias

The Agora and Ruins of Ancient Athenian Culture

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Stoa of Zeus Eleutherios

The Stoa of Zeus Eleutherios

The Stoa of Zeus Eleutherios is adjacent to the Temple of Apollo Patroos when continuing clockwise around the Agora.
The Agora community was highly oral and the Stoa of Zeus Eleuthrios was a convenient central meeting place. It provided shade and protection for contemplative philosophers such as Socrates who would slowly promenade as he reasoned or debated ideas with his companions, and for merchants or civil administrators who sought space for discussions and consultation.
Pausanias, when he visited the Agora in Athens, referred to Zeus as ‘the God Almighty’ and Zeus was deified within the Stoa with the epithet ‘Eleutherios’ to acknowledge his divinity as the god of freedom and deliverance, particularly in respect of the context of freedom from bondage and enslavement. This theme of Zeus’ divinity was very much reflected by the decorations of the colonnaded Stoa of Zeus Eleutherios which included the shields of warriors who had lost their lives either defending or liberating Athens, or preserving its independence. (Image Credit Wikidata)

Odeon of Agrippa

The Odeon of Agrippa

Athenians under Roman occupation enjoyed an extension to their pleasures through a gift of a concert hall, the Odeon, in 15 BC by Marcus Vispanius Agrippa.

Library of Pantainos

The Library of Pantainos

The Library of Pantainos was dedicated by Titus Flavius Pantaenus to Athena Archegetis, the emperor Trajan and the Athenian people circa 100 A.D. It was an archive for scrolls handwritten on papyrus and parchment which were stored in numerous repositories built into the library’s walls. The library would have been a detailed vault of Athenian culture. It would be reasonable to assume that, given the proximity of the library to the administrative and commercial centres on the Agora, that the scrolls would have contained at least legislation, agreements and civil decisions. Evidence exists that the library also constituted a school of philosophy so perhaps books and the results of significant debates were also stored.
The library included a colonnaded paved courtyard that provided space to read outside its large internal square room. It was also surrounded by three stoae with shops behind their colonnades. The library underwent ongoing expansion in the years of Roman occupation and included a marble street that led from the Greek Agora to the Roman Agora. Two of the library’s rules have been uncovered by archaeologists, their being; “No book should be taken away,” and “ is open from the first through the sixth hour”. (Image Credit: George E. Koronaios)

What the Greek Agora Tells Us About Ancient Athenian Commerce

The history of the Athens Agora as the centre of Athenian commerce was probably its most important. The city had to be fed. The open planning of the Athens Agora was ideal for marketing and business, promoting interactions and providing ready access to merchants, shops and wares. The market was more than a location for simple buying and selling. It was also the focus of commerce in Athens where substantial transactions were arranged for the importation and exportation of valuable cargoes. The trade was supervised by meticulous officials who ensured the honesty and fairness of the dealings.

It was important for Athenians that strict guidelines were imposed on the integrity of trade and commerce. The lower Balkan Peninsula is dominated by mountains rich in limestone and some of the slopes are heavily wooded. Much of the remaining terrain is rugged and unyielding. There is still a paucity of arable land today and it wasn’t any different when the Athens Agora flourished. The regions surrounding Athens were not conducive to agronomy and it was not possible to feed the population of Athens and its provinces from what the land produced. However, some produce was grown locally and it’s impossible as we move around Greece not to notice the range of produce that does respond to the local mild climate. Sheep and goats can be seen in their pastures and olive groves and vineyards are ubiquitous. Figs and pomegranates abound, as does honey. Grains can be grown and although wheat is cultivated, the soil is kinder to the growth of barley.

The history of trade and commerce in the Athens agora is that the traditional crops that were traded in the Athens agora had to be protected because the city depended on imports. The food supply had to be ensured, not only for the citizens of Athens, but also the Athenian army. It was prohibited to stockpile provisions in order to generate higher prices, particularly corn. The practice might also have threatened reciprocal food exports which included olive oil, wine and honey, or industrial exports such as woollen fabrics, ceramics, marble and articles made from precious metals. These were made possible by the skill of the local Agora craftsmen. The merchants at the Agora of Athens therefore benefitted from the maritime trade organised through Piraeus, particularly from the importation of wheat, and steady custom based on established prices.

What the Greek Agora Tells Us About Ancient Athenian Government

The ancient agora of Athens was not only the city’s social, cultural, commercial and religious heart, but also Athens’ intellectual and administrative centre. The Greek agora’s history includes its central area being cleared early during the 6th Century BC and then populated with the public buildings in the foreground of the Hephaestus. The structures that were then located in the Greek marketplace and specified for the administration of the city of Athens included parliamentary and court buildings. This precinct was important because in the new democratic society decisions were collaborative and equitable.

The religion of Athens was much integrated into civil affairs and so various divinities were assigned as the “patron deities” of government departments as well as the temples and sanctuaries that were assigned to administrative services.

Several impressive stoae were also erected to facilitate discussion and education.

The Stoa of Attalus

The Stoa of Attalus (5), the best-preserved building of the ancient Agora, concentrated the focus on the Greek marketplace as an important business and administrative centre in that it provided an important covered and sheltered place for informal meeting and assembly. The 115 metre Stoa was a gift from Attalus I, the King of Pergamum, who ascended the throne of Pergamum in 241 BC and was succeeded by his son, Eumenes II, in 197 BC. It was Eumenes II who made the generous gift to Athens of the Stoa of Eumenes on the south western slope of the Acropolis.

Attalus I had an Athens connection in that he had studied in the schools of Athens. Pergamum achieved great wealth by defeating the Gauls and therefore avoided having to pay the ongoing tribute. Attalus I shared the wealth of Pergamum by generously funding the Stoa. The result was a stunning double-storied building of sizeable proportions. Three types of columns were used – Doric, Ionian and Egyptian – and their marble composition gleamed in the sun. 

The length of the Stoa provided an ideal scale for the incorporation into its design of a range of shops. Merchants benefitted from a guarantee of trade due to the stoa’s seductive invitation to linger and promenade. The Stoa of Attalus would also have provided an excellent vantage point to view the processions along the Panathanaean Way due to the generous provision of steps and terraces along the road front. And in keeping with the association Attalus I had with Athens, the Stoa served philosophers such as Socrates and Plato well as providing a venue for instruction. The Stoa of Attalus housed the Agora Museum which displayed archaeological finds characteristic of the uses of the Agora.

The Agora and Ruins of Ancient Athenian Government

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The Tholos

The Tholos

The literal meaning for the Greek ‘Tholos’ is ‘dome or canopy’, and so the term’s use visually describes the 5th Century round building that served as the head office of the Athenian government, headquarters for magistrates, and headquarters for the 500 senators of the Bouleuterion. It was customary for administrators at the ancient Greek Agora to be available at all hours and so officials slept in the Tholos overnight.
One of the most important functions of government in Athens was to supervise fair trade and commerce in the Agora of Athens and so a set of standard weights and measures was kept within the building. The Tholos did not provide for all government and civic duties but was conveniently located adjacent to the Bouleuterion to communicate with other departments.

Monument of Eponymous Heroes

The Monument of Eponymous Heroes

Athenian democracy was based on the population of Athens being assigned to one of ten tribes (c 500 BC). The names of the tribes were those of ten prominent Athenians selected by the Oracle at Delphi. Membership of a tribe was a prerequisite for citizenship. In this context a small 4th Century limestone temple was erected for the worship of Zeus and Athena Phatrios, the principal deities of the ancestral religious brotherhoods.

What the Greek Agora Tells Us About Ancient Athenian Religion

Athenians were exceedingly religious and Josephus, a first century historian, referred to the Athenians as the ‘the most pious of the Greeks.’ The ruins of the ancient agora tell us that Athenians spread their worship over a large number of deities and the Agora in Athens was littered with temples, sanctuaries, shrines and statues devoted to a plethora of gods and heroes. Their worship took the forms of public sacrifices, processions, rituals and rites and to precede most events they offered public prayers and supplications to the gods. The fervour was encouraged by state control and sponsorship that emanated from the Bouleuterion.

The superfluity of idols meant that the Agora was second in religion only to the Acropolis and the omnipresence of religion permeated the Greek marketplace like an invisible shroud. The ancient Greeks did not just see a building; they saw an edifice patronised by a being greater than themselves such that the building assumed a persona consistent with its patron.

Attention given to matters religious was hierarchical. Priesthoods associated with the more elite cults were claimed on ancestral grounds. Lesser gods and heroes identified with feasting and community were usually attended to by those of lower social rank. The intellectual centres in the Agora such as the schools of philosophy of Plato and Aristotle were on common ground with temples devoted to mystical and sexual ritual.

Pausanias wrote about the religion of the Athenians in the market place as;

“In the Athenian market-place among the objects not generally known is an altar to Mercy, of all divinities the most useful in the life of mortals and in the vicissitudes of fortune, but honoured by the Athenians alone among the Greeks. And they are conspicuous not only for their humanity but also for their devotion to religion. They have an altar to Shamefastness, one to Rumour and one to Effort. It is quite obvious that those who excel in piety are correspondingly rewarded by good fortune.”
— Pausanias

The Temple of Hephaestus

The Doric Temple of Hephaestus (11), or The Hephestieion, is one of the most prominent and best preserved structures that can be seen in the Agora in Athens. The original roof of the temple was supported by 34 columns. Athena and Hephaestus , the god of fire and a blacksmith who forged the thunderbolts for Zeus,  were worshipped at the Temple as patron divinities of the arts and crafts. Myth ascribes Hephaestus with calling for fire for the use in kilns for the production of pottery and for the fabrication of small articles from metals. The reality independent of the myth is that pottery and metal works have been found in the vicinity of the temple, establishing it as the precinct occupied by tradesmen – potters and blacksmiths.

The Agora and Ruins of Ancient Athenian Religion

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The Eleusinion

The Eleusinion

The Eleusinion (12) was probably one of the most religious sites in the Agora in Athens and was important to the Panathenaic festival because it safeguarded the sacred objects relevant to the ceremonies and sacred annual processions of the Eleusinian mysteries to honour Demeter and Persephone. You can find an excellent explanation at andrewgough.co.uk/the-eleusis-mystery/
Pausanias described The Eleusinion as, “The Eleusinion was a sanctuary built into the base of the Acropolis in 490 BC which was dedicated to Demeter and Kore (Persephone). The 11m x 18m structure not only contained statues of Demeter and Kore but also of Iakkos who was significant to the Eleusinian mysteries. The Eleusinian deities had previously been worshipped at the site in the 6th Century in an open-air setting enclosed by a wall. The sanctuary underwent further strengthening and development under Roman occupation.”

The Temple of Apollo Patroos

The Temple of Apollo Patroos

The small Ionic Temple of Apollo Patroos was identified by Pausanias and was set directly opposite the Temple of Hephaestus. Athenians were Ionians, the race originating with Ion. Greek legend identified Apollo as the father of Ion and as such Apollo was considered a patron deity of Athens, watching over the state and its civil administration and organisation. In this sense the Greek ‘patroos’ is related to ‘father’ in that it signifies ‘of one’s fathers’. The epithet therefore seems to include the sentiments not only of ancestor, but also of nourishment and protection. The Temple also had reference to Apollo’s being one of the patron deities of state in the context of the various tribes that existed in the city, mentioned in the description of the Monument of Eponymous Heroes.

The Altar of Zeus Agoraios

The Altar of Zeus Agoraio

Zeus Agoraios, the divine inspirer of oratory, was the patron deity of the Agora in Athens and was worshipped through a dedicated altar made from Pentellic marble. Nearby was the altar of the Mother of Gods, the Metroon.

The Metroon

The Metroon

The mid-second Century Metroon is an altar of the Mother of Gods amidst an array of the Monument of Eponymous Heroes.

There are still many nooks and crannies of the Ancient Agora and its adjacent areas to see to which we haven’t referred. These include the Strategeion, Heliaia, Nymphaeum, Mint and the adjacent Pynx and Prison of Socrates. And there is so much more, including the Areopagus which we haven’t forgotten!

Final Thoughts on the Ancient Greek Agora at Athens

There are many ancient places to visit in Greece but a visit to the Greek agora at Athens is an enjoyable way to wind back the history of a society and culture which was forging in stone the foundations of global democracy. The ancient agora was repurposed during the Roman occupation of Athens and is populated by Roman ruins as well as having been succeeded by the Roman Agora which was constructed in an adjacent space.

References:

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